基于符號學的漢代四象瓦當紋樣的研究與設計
摘 要：中國傳統藝術中的一個典型代表是漢代的瓦當紋樣，它富含民族獨特風格，并在世界文化遺產中扮演著重要的角色。透過研究瓦當紋樣，可以領略到漢代時期藝術設計師所追求的卓越藝術造詣。文章基于符號學理論深入解讀漢代四象瓦當的表現特征，分析漢代四象瓦當創作的思想來源，探索其反映的美學內涵，并結合現代設計中的應用案例進行設計應用，探討其對現代設計所產生的啟示。
關鍵詞：工業設計；符號學；漢代瓦當；四象；設計應用
中圖分類號：TU238 文獻標識碼：A 文章編號：1672-7053(2024)03-0117-04
Abstract：A typical representative of Chinese traditional art is the eaves tile pattern of the Han Dynasty, which is rich in unique national style and plays an important role in the world cultural heritage. Through the study of eaves tile patterns, we can appreciate the outstanding artistic attainments pursued by art designers in the Han Dynasty. Based on the theory of semiotics, this paper deeply interprets the performance characteristics of the four-elephant eaves tiles in the Han Dynasty, analyzes the ideological source of the creation of the four-elephant eaves tiles in the Han Dynasty, explores the aesthetic connotation reflected by them, and combines the application cases in modern design to design and application, and discusses its enlightenment to modern design.
Key Words：Industrial Design; Semiotics; Eaves Tile of the Han Dynasty; Four-Image; Design Application
